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ScreenSkills: Setting up shoots in remote & hostile environments

Clock Icon Available 3/12/2026

Signpost: FREE - Setting up shoots in remote & hostile environments - ScreenSkills

Please note WorkWise for Screen are signposting this event and this information below is from the ScreenSkills website. 

About this event

WorkWise for Screen are signposting this FREE course from ScreenSkills. More info below:

Date: 12th March 2026, 10am - 1pm, ONLINE

This course is aimed predominantly at those who are responsible for setting up these types of shoots such as the production team. This includes roles such as production assistants, production secretaries, production management assistants, production coordinators, junior production managers and production managers. However, it’s also open to anyone in other roles who would benefit from understanding the process of setting up these shoots.

We are committed to ensuring all our courses are accessible to everyone. This course is designed to be as interactive as possible.

Please email USF@screenskills.com if you have any access requirements and we will be delighted to help, be that clarifying the form such interaction is likely to take or discussing reasonable adjustments.

 

The course will provide an overview of the following, which are specifically focused on remote & hostile environments:

  • Flights and accommodation

  • Transporting kit & crew

  • Kit considerations

  • Medication & Medevac

  • Extreme weather

  • Clothing & consumables

  • Hostile environments

  • What to do when things go wrong

  • Plus the chance to ask questions

Trainer:

Hannah Gosney is an experienced head of production/senior production manager. She has extensive knowledge and experience in setting up overseas shoots in most countries in the world as well as many in remote and hostile environments. These include places such as Afghanistan, The Arctic, The Amazon Rainforest, The Oman Desert as well as countries such as Russia, America, Dubai, India, China, Laos, Vietnam and countless others. Often filming with remote tribes or difficult expeditions/journeys, she knows the ins and outs of what challenges these shoots can present


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